<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5352713969349574145</id><updated>2012-02-16T07:09:51.768-08:00</updated><title type='text'>POMPA- ConflicTours</title><subtitle type='html'>POMPA</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://conflictours.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://conflictours.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Catarina B. Simão</name><uri>http://www.blogger.com/profile/15458372973862287982</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5352713969349574145.post-297844227410740526</id><published>2007-11-09T08:15:00.000-08:00</published><updated>2007-11-09T08:18:49.754-08:00</updated><title type='text'>Programação ConflicTOURS</title><content type='html'>&lt;a rel="nofollow" href="http://www.getxophoto.com/pdf/prog_Conflictours.pdf" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.getxophoto.com/pdf/prog_Conflictours.pdf"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Consulte a programação completa de ConflicTOURS, aqui.&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5352713969349574145-297844227410740526?l=conflictours.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://conflictours.blogspot.com/feeds/297844227410740526/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5352713969349574145&amp;postID=297844227410740526' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default/297844227410740526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default/297844227410740526'/><link rel='alternate' type='text/html' href='http://conflictours.blogspot.com/2007/11/programao-conflictours.html' title='Programação ConflicTOURS'/><author><name>Catarina B. Simão</name><uri>http://www.blogger.com/profile/15458372973862287982</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5352713969349574145.post-3613101816925573314</id><published>2007-10-17T01:47:00.000-07:00</published><updated>2007-11-02T05:55:58.331-07:00</updated><title type='text'>ConficTOURS no Bacalhoeiro em Lisboa</title><content type='html'>Todas as terças-feiras de Novembro 2007&lt;br /&gt;às 22:00, &lt;a href="http://bacalhoeiro.blog.com/"&gt;&lt;span style="text-decoration: underline;"&gt;no &lt;/span&gt;&lt;em&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;Bacalhoeiro&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;a href="http://bacalhoeiro.blog.com/"&gt; &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-size:130%;"&gt;6 / 11  - " Europa de Leste para principiantes "&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXM8G88wqI/AAAAAAAAAG8/yfGWpi37M3E/s1600-h/Roomservice_pg.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 130px; height: 126px;" src="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXM8G88wqI/AAAAAAAAAG8/yfGWpi37M3E/s200/Roomservice_pg.jpg" alt="" id="BLOGGER_PHOTO_ID_5122225484234277538" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;A limpeza de edifícios bombardeados, a reciclagem de sacos de apoio humanitário e a fraude mediática de grande alcance podem ser actos subversivos. Neste caso, com escalas e investimentos distintos, todos exploram a possibilidade ética e poética na resolução da crise e dos conflitos na Europa de Leste.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="color: rgb(255, 255, 255);" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;span  lang="EN-GB" style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;Room service for bombardes buildings&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span  lang="EN-GB" style="font-family:Arial;"&gt;de &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Arial;font-size:100%;"  lang="EN-GB" &gt;Dionís Escorsa, Belgrado, 2004, 16'.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);font-family:Arial;font-size:100%;"  lang="EN-GB" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-family:Arial;"&gt;&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;Self-aid&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;,&lt;/span&gt; &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Arial;font-size:100%;"  &gt;de Vahida Ramujkic, Lipovica, 2002, 15'&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);font-family:Arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-family:Arial;"&gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Cesky sen&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;, O sonho Checo, de Vit Klusak y Filip Remunda&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Arial;font-size:100%;"  &gt;, República Checa, 2004, 87’&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;font-family:Arial;font-size:85%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-weight: bold;font-family:Arial;font-size:100%;"  &gt;&lt;span style="font-size:130%;"&gt;13 / 11 - " Imigração: o cruzeiro ou o paraíso perdido"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal" style=""&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXN6G88wrI/AAAAAAAAAHE/CLK_dWACR_c/s1600-h/EXOTICORE_pg.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 131px; height: 124px;" src="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXN6G88wrI/AAAAAAAAAHE/CLK_dWACR_c/s200/EXOTICORE_pg.jpg" alt="" id="BLOGGER_PHOTO_ID_5122226549386166962" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;As histórias de pesadelos que tiveram o seu início em sonhos. O encontro forçado com o estatuto de "exótico" : aquele que dedica a sua existência à procura do seu espaço num mundo que já decidiu, por ele, o seu lugar...no sistema legal, nas políticas de imigração, nas convenções sociais e na dos afectos.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="font-weight: bold; color: rgb(204, 204, 204);" class="MsoNormal"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="" lang="EN-GB"&gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Transit&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 102, 102);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt; &lt;/span&gt;&lt;span style="font-weight: normal;" lang="EN-GB"&gt;de Atelier Collectif, Bélgica, 2006, 24'&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=""&gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Exoticore&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="font-weight: normal;"&gt;&lt;span style="color: rgb(255, 102, 102);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt; &lt;/span&gt;de Nicolas Provost. Bélgica,2004, 28’&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=""&gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Só ida&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: normal;font-family:Arial;font-size:100%;"  &gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt; de Manu Soubiès, Espanha&lt;/span&gt;&lt;i style="font-family: arial;"&gt;, &lt;/i&gt;&lt;span style="font-family:arial;"&gt;2005&lt;/span&gt;&lt;i style="font-family: arial;"&gt;, &lt;/i&gt;35’&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-size:130%;"&gt;20 / 11 : " De um colonialismo a outro "&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Xrl5GebqrvI/RxXOtW88wsI/AAAAAAAAAHM/n-m09G7wACA/s1600-h/cannibaltours_pq.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 134px; height: 129px;" src="http://1.bp.blogspot.com/_Xrl5GebqrvI/RxXOtW88wsI/AAAAAAAAAHM/n-m09G7wACA/s200/cannibaltours_pq.jpg" alt="" id="BLOGGER_PHOTO_ID_5122227429854462658" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;Difícil tarefa aquela que pretende reivindicar a igualdade racial! O exemplo da História nunca foi suficiente, o testemunho da arte nunca foi realmente compreendido. Revelações versadas e comentários agudos sobre a cultura negra; um protesto apaixonado no caso de Chris Marker e terrivelmente mordaz no caso de Dennis O'Rourke.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal" style="color: rgb(204, 204, 204);"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(204, 204, 204);"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(204, 204, 204);"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(204, 204, 204);"&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Les statues meurent aussi&lt;/span&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;As estátuas também morrem, de Alain Resnais e Chris Marker, França, 1953, 22'&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Cannibal Tours&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;, de Dennis O'Rourke, australia, 1988, 70'&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=";font-family:Arial;font-size:11;"  &gt;&lt;span style="font-size:130%;"&gt;27 / 11 - " &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:130%;"&gt;Resistência/dissidência: discursos antagónicos "&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xrl5GebqrvI/RxXQV288wtI/AAAAAAAAAHU/oW81OvCGawo/s1600-h/20impossibles.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 126px; height: 123px;" src="http://3.bp.blogspot.com/_Xrl5GebqrvI/RxXQV288wtI/AAAAAAAAAHU/oW81OvCGawo/s200/20impossibles.jpg" alt="" id="BLOGGER_PHOTO_ID_5122229225150792402" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=";font-family:Arial;font-size:11;"  &gt;&lt;span style="font-size:100%;"&gt;E&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=";font-family:Arial;font-size:11;"  &gt;&lt;span style="font-size:100%;"&gt;sta sessão foi inspirada pela ideia de "ocupação". Quer ela seja político-territorial ou político-social, trata-se sempre de um acto de cisão com algo pré-estabelecido. Em ambos os casos, é também o terreno ideal para o abuso: a violência, no caso da guerra armada e o discurso no &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=";font-family:Arial;font-size:11;"  &gt;&lt;span style="font-size:100%;"&gt;caso dos movimentos sociais urbanos...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="color: rgb(255, 0, 0);" class="MsoNormal"&gt;&lt;/p&gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Like twenty impossibles&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;, de Annemarie Jacir, Palestina- Drama- 2003, 17'&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:100%;color:black;"   &gt;&lt;span style="font-weight: bold; color: rgb(204, 204, 204);"&gt;&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;El taxista ful&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt; O ladrão de Taxis, de Jo Sol - Cor – ficção/documental - Espanha, 2006, 87’&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p style="color: rgb(255, 255, 255); font-family: arial;" class="MsoNormal"&gt;&lt;a href="http://pompapomp.blogspot.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p  style="color: rgb(255, 255, 255);font-family:arial;" class="MsoNormal"&gt;&lt;a href="http://pompapomp.blogspot.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p face="arial" style="color: rgb(255, 255, 255);" class="MsoNormal"&gt;&lt;a href="http://pompapomp.blogspot.com/"&gt;&lt;&lt;&lt;&lt;&lt;/a&gt; POMPA&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p face="arial" style="color: rgb(255, 255, 255);" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:100%;color:black;"   &gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:11;"  &gt;&lt;i&gt;&lt;span style="color:black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5352713969349574145-3613101816925573314?l=conflictours.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://conflictours.blogspot.com/feeds/3613101816925573314/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5352713969349574145&amp;postID=3613101816925573314' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default/3613101816925573314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default/3613101816925573314'/><link rel='alternate' type='text/html' href='http://conflictours.blogspot.com/2007/10/sesses-conflictours.html' title='ConficTOURS no Bacalhoeiro em Lisboa'/><author><name>Catarina B. Simão</name><uri>http://www.blogger.com/profile/15458372973862287982</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXM8G88wqI/AAAAAAAAAG8/yfGWpi37M3E/s72-c/Roomservice_pg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5352713969349574145.post-8062493976938811703</id><published>2007-08-26T04:58:00.000-07:00</published><updated>2007-10-12T14:05:40.445-07:00</updated><title type='text'>ConficTOURS no Bacalhoeiro em Lisboa</title><content type='html'>Todas as terças-feiras de Novembro 2007&lt;br /&gt;às 22:00, &lt;span style="text-decoration: underline;"&gt;no &lt;/span&gt;&lt;a href="http://bacalhoeiro.blog.com/"&gt;&lt;em&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;Bacalhoeiro&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;As imagens de conflitos são-nos tão familiares e quotidianas como os discursos que os meios de comunicação elaboram diariamente à volta delas, tentando criar certezas, aprofundando a vitimização e estabelecendo dicotomias que simplificam a quantidade de realidades que se entrecruzam e que na realidade as conformam.&lt;br /&gt;&lt;br /&gt;Como em tudo, o importante é o olhar. Neste caso de ConflicTOURS, partir da ironia para tratar os conflitos, permite-nos questionar, sugerir e reflectir não só sobre os conflitos em si, mas também sobre as possibilidade de exercer uma visão crítica sobre o mundo.&lt;br /&gt;&lt;br /&gt;ConflicTOURS é um ciclo com uma programação de diferentes trabalhos áudio-visuais ( documentário, ficção e animação ) com a intenção de sugerir uma viagem geo-temática de conflitos sociais e emocionais que expressam, no seu conjunto, uma interpretação pessoal, irónica e crítica.&lt;br /&gt;&lt;br /&gt;ConflicTOURS organiza-se em torno a quatro eixos temáticos :&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1ra. sessão:             "Europa de Leste para principiantes"&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;6 / 11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2nda. sessão:         "Imigração: o cruzeiro ou o paraíso perdido"&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;13 / 11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;3ra. sessão:            "De um colonialismo a outro"&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;20 / 11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;4rta. sessão:           " Resistência/dissidência: discursos antagónicos"&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;27 / 11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pompapomp.blogspot.com/"&gt;&lt;&lt;&lt;&lt;&lt;/a&gt; POMPA&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5352713969349574145-8062493976938811703?l=conflictours.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://conflictours.blogspot.com/feeds/8062493976938811703/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5352713969349574145&amp;postID=8062493976938811703' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default/8062493976938811703'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5352713969349574145/posts/default/8062493976938811703'/><link rel='alternate' type='text/html' href='http://conflictours.blogspot.com/2007/08/conflictours-no-bacalhoeiro-em-lisboa.html' title='ConficTOURS no Bacalhoeiro em Lisboa'/><author><name>Catarina B. Simão</name><uri>http://www.blogger.com/profile/15458372973862287982</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
